On November 26, 1976, Massimo Bacigalupo was in Catania with his 16mm camera, filming the streets of the city at the foot of Mount Etna and the people lingering and strolling about. The movement and the pauses in everyday life —seemingly boring and not particularly appealing— captured the filmmaker’s attention. Bacigalupo recalls those diary-style film shots, edited years later into a film:
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